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![]() ![]() The studio, which gets by on random horror hits and the occasional franchise (“Resident Evil”) has made glossy African American comedies (“This Christmas”, “The Wedding Ringer”), romances (“Not Easily Broken”) and thrillers (“Obsessed,””No Good Deed”) its low-risk/high-return bread and better. ![]() If college cinema professors aren’t teaching “The Screen Gems View of Urban Affluence and its Impact on African American Aspiration,” then somebody is seriously missing the mark.
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